| Gonzalo Rubalcaba - Inner Voyage
(1997)
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| Notes |
AMG Review by Ken Dryden (4 1/2):
After taking the jazz world by storm with his exciting debut CD on Blue Note in 1991, Gonzalo Rubalcaba continued to delight his fans throughout the decade with one great recording after another. "Yolanda Anas," "Joan," and "Joao" — each one a tribute to one of his children — are intimate musical portraits that have a childlike simplicity, but also memorable melodies that linger in the mind. A salute to Blue Note president Bruce Lundvall is a complex post-bop blues featuring fierce solos by tenor saxophonist Michael Brecker and bassist Jeff Chambers. Rubalcaba's breathtaking arrangement of "Here's That Rainy Day" is one of the most intimate ever recorded, played with an almost hushed tone. The pianist's introduction to "Caravan" has a swinging Latin flavor, though the body of the song is much looser and less thunderous than one might expect. Highly recommended.
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_Amazon.com
Cuban-born pianist Gonzalo Rubalcaba's ninth Blue Note recording, Inner Voyage is an aptly titled affair. Throughout the album's nine tracks, which showcase his regular working trio of drummer Ignacio Berroa and bassist Jeff Chambers with fiery guest appearances by tenor saxophonist Michael Brecker on two tracks, Rubalcaba's vision is more introspective than on his previous release, Antiguo. But it's no less affecting and in fact may be Rubalcaba's most heartfelt playing to date. Featuring a mix of tunes penned by Rubalcaba and standards like "Here's That Rainy Day" and "Caravan," the music on Inner Voyage is meant to evoke various figures in the pianist's life, from his daughter ("Yolando Anas") and two sons ("Joan" and "Joao") to Blue Note Records head Bruce Lundvall ("Blues Lundvall"). Listeners who expect a thrilling ride of Afro-Cuban rhythms all the way through may be surprised, since unlike Chucho Valdés and the elder Cuban piano statesman Rubén Gonzáles, Rubalcaba doesn't wear his Cuban influence on his sleeve. In fact, most of the disc finds him treading delicately on Bill Evans territory, and it's not even until the charged rendition of "Caravan" that Rubalcaba lets some wondrously jagged piano montunos bubble to the surface. --Ezra Gale |
