David Liebman Ensemble - John Coltrane's Meditations (1995)
Front Cover Album Info
Artist/Composer David Liebman Ensemble
Title John Coltrane's Meditations
Length 55:05 Discs: 1 Tracks: 6
Format HQ 192+ kbps Packaging Jewel Case
Label Arkadia Jazz Cat. Number 71042
Style Avant-Garde; Post-Bop Rating
Recorded 1995-12-09 
Comment coś niby Coltrane, ale jednak nie to
Musicians Credits
David Liebman sax tenor
Tiger Okoshi trumpet
Phil Markovitz piano, keyboards
Caris Visentin oboe
Vic Juris guitar
Tony Marino bass
Cecil McBee bass
Billy Hart drums
Jamey Haddad percussion
Producer David Liebman
Engineer David Baker
Mastering Gene Paul
Mixing Bryan Martin
Track list
01
Intoduction 00:54
02
The Father And The Son And The Holy Ghost 13:47
03
Compassion 10:57
04
Love 12:26
05
Consequences 07:37
06
Serenity 09:24
Notes
AMG Review by Scott Yanow (4 1/2):
On Nov. 23, 1965, John Coltrane recorded the finest album of his two-year collaboration with fellow tenor Pharoah Sanders, the intense and sometimes violent but spiritual Meditations. 'Trane utilized an expanded sextet that also included pianist McCoy Tyner, bassist Jimmy Garrison and both Elvin Jones and Rashied Ali. Tyner and Jones would soon depart, so this was the last meeting on records of those two masters with Coltrane. Thirty years later on Dec. 9, 1995, Dave Liebman revisited the five-part suite. Although all of the themes are utilized in the same order, Lieb's version is not a re-creation and even utilizes a different instrumentation: Liebman (who for a long time had specialized on soprano and flute) back on tenor, trumpeter Tiger Okoshi, Caris Viscentin on oboe, guitarist Vic Juris, Phil Markowitz on keyboards, both Tony Marino and Cecil McBee on bass, and Jamey Haddad and Billy Hart on drums. Some of the intensity of the original version is present, particularly on "Love" and "Consequences," but obviously the sound is quite a bit different, particularly with the use of guitar and electric keyboards, which take the place of Sanders' tenor. Although the heights of the earlier recording are not quite reached, Dave Liebman and his ensemble come awfully close at times, and their playing throughout the lengthy performance (which is both a little reverent and quite exploratory) is quite memorable. Recommended.