Mehldau & Rossy Trio - When I Fall In Love (1993)
Front Cover Album Info
Artist/Composer Mehldau & Rossy Trio
Title When I Fall In Love
Length 67:25 Discs: 1 Tracks: 7
Format HQ 192+ kbps Packaging Jewel Case
Label Fresh Sound Cat. Number 007
Style Rating
Recorded październik 1993  at  La Cova Del Drac., Barcelona
Musicians Credits
Brad Mehldau piano
Jordi Rossy drums
Mario Rossy bass
Engineer Jorge Juan Villaverde
Mastering Tino Roson
Mastering Jordi Rossy
Track list
01
Anthropology 08:53
02
At A Loss 06:42
03
When I Fall In Love 14:44
04
Countdown 08:21
05
Convalescent 08:37
06
I Fall In Love Too Easily 10:30
07
I Didn't Know What Time It Was 09:38
Notes
AMG Review by Thom Jurek (4):
Recorded way back in 1993 in Barcelona, pianist Brad Meldau was a kid just beginning to explore the deep science of the jazz piano trio with Mario and Jordi Rossy. He was also commencing his stint with Josh Redman and backing cats like Johnny Griffin, Jimmy Cobb, and others. His working with this trio reveals a young musician (Meldau was born in 1970) in solid command of the language he is attempting to simultaneously master and deepen. This is a club date and kicks off with an ambitious and wholly successful read of Charlie Parker's "Anthropology." The steaming rhythm leaves Meldau no choice but to careen through the melody as recklessly as a saxophonist. He inks it note for note and then begins to move through the lower register for sevenths and ninths, playing 16th and even 32nd notes to corral the rhythm section as he moves the scale over first a half, then a whole, and then two and a half steps. A ballad follows, Meldau's own "At a Loss," a bit of melodramatic glissando playing that nonetheless has at its heart an interesting harmonic series of shifts in timbre, moving from a light blue to a darker, richer chromatic that digs into the blues for a stuttering turn at swing before re-entering a balladic frame. The most exciting track on the set is Coltrane's "Countdown," with its rhythmic and mode changes occurring just before the end of each interval, blurring them somewhat and making the solos belled through. This may not be as great as some of Meldau's later trio work, but it is very impressive for such an early date.