David Wright - Dajinosaurus (rel.2006)
Front Cover Album Info
Artist/Composer David Wright
Title Dajinosaurus
Length 64:28 Discs: 1 Tracks: 19
Format HQ 192+ kbps Packaging Jewel Case
Label Dinosaurus Records Cat. Number DR 001
Style Fusion; Jazz-Rock Rating
Comment zabawne, przyjemne
Musicians Credits
David Wright guitar, MIDI guitar
Nob Kinukawa bass (6 string MIDI)
Jim Bove drums
Producer David Wright
Producer Nob Kinukawa
Mastering Mike Wells
Track list
01
Time Constraint 06:24
02
Falls Dance 05:37
03
Early Phrase Intro 00:53
04
Early Phrase 04:22
05
Thob (Tears For Friends Intro) 01:26
06
Tears For Friends 04:30
07
ILD Intro (Live) 00:30
08
ILD 05:00
09
GC Intro 00:16
10
GC 07:29
11
Chess 05:43
12
Bedtime Bridges Intro 02:09
13
Bedtime Bridges 05:34
14
piggasaurus (This To ... Intro) 00:27
15
This To This To 05:16
16
club owner comment 00:45
17
Barbars Kingdom 04:16
18
Improv I 01:55
19
Improv II 01:56
Notes
guitar9.com:
Dajinosaurus, the debut album by guitarist David Wright is an intense, high energy jazz/rock/fusion romp! Combining influences including: Frank Gambale, Mike Stern, Shawn Lane, Wayne Krantz, Scott Henderson, Greg Howe, John Scofield, Allan Holdsworth and Tony MacAlpine (with CAB) among others, David has fused together a tapestry that is sure to please hard core guitar and fusion fans. His music has been described as, "The lyricism of Jeff Beck with the musical stylings of Allan Holdsworth,..." and the album Dajinosaurus has been referred to as, "a perfect blend of musicianship and technique."


This trio undertaking should rouse some interest for hardcore jazz-fusion aficionados. Guitarist David Wright’s debut is a sprightly one. Indeed, fans of Steve Vai, Allan Holdsworth and other guitar elitists should take note. Wright has absorbed the genre credibly, evidenced by these nineteen workouts. With in-the-pocket grooves, shifts in tempo and numerous improvisational jaunts, the trio performs with vim, vigor and monster chops. Wright inflicts some hurt on his electric and Midi-guitars via brisk, legato phrasings and ascending single-note flurries. He employs distortion, odd-tunings and jazzy chord voicings to augment his attack. Wright and his band-mates deliver an action-packed, yet not overbearing string of events. It all flows rather well.
© Glenn Astarita / All About Jazz