Michael Brecker - Pilgrimage (2006)
Front Cover Album Info
Artist/Composer Michael Brecker
Title Pilgrimage
Length 77:58 Discs: 1 Tracks: 9
Format CD-R (copy) Packaging Jewel Case
Label Heads Up Cat. Number 3095
Style Jazz Rating
Recorded sierpień 2006 
Comment plejada gwiazd, ale niezbyt ciekawe :(
Musicians Credits
Michael Brecker sax tenor, EWI
Herbie Hancock piano
Brad Mehldau piano
Pat Metheny guitars
John Patitucci bass
Jack DeJohnette drums
Producer Michael Brecker
Producer Gil Goldstein
Producer Pat Metheny
Producer Steve Rodby
Engineer Joe Ferla
Mastering Michael Bishop
Mastering Mark Wilder
Track list
01
The Mean Time (Brecker) 06:58
02
Five Months From Midnight (Brecker) 07:43
03
Anagram (Brecker) 10:13
04
Tumbleweed (Brecker) 09:41
05
When Can I Kiss You Again (Brecker) 09:47
06
Cardinal Rule (Brecker) 07:36
07
Half Moon Lane (Brecker) 07:20
08
Loose Threads (Brecker) 08:38
09
Pilgrimage (Brecker) 10:02
Notes
AMG Review by Rick Anderson (4):
Given the heartbreaking context in which this album was released — this was the final recording by saxophonist Michael Brecker, who died of myelodysplastic syndrome and leukemia only a few months before its release — there might be a certain temptation to cut it some slack for sentimental reasons. However, leniency is hardly needed. Leading a group comprised of jaw-dropping talents (pianists Herbie Hancock and Brad Mehldau, guitarist Pat Metheny, bassist John Patitucci, drummer Jack DeJohnette) and playing for the first time a program consisting entirely of original compositions, Brecker delivers an emotionally rich and startlingly powerful album of straight-ahead modern jazz that will stand as his musical epitaph and will effectively confound anyone who has ever been tempted to dismiss him as a mere jazz-pop fusioneer. It will also frustrate anyone looking for maudlin emotion or even any obvious product of existential angst; the only concession to sentiment here is on the title of a ballad, "When Can I Kiss You Again?," a quote from Brecker's teenage son during a period in his treatment when his family was not allowed to touch him. But even that track, with its unusual chord progression and sometimes rather arid solos, retains a core of tough-mindedness within the tenderness. Most of the rest of the program consists of uptempo and medium-tempo burners that swing with a powerful sense of urgency and life, and precious little foreshadowing of the tragedy that all involved knew was soon to come. This is a brilliant and inspiring album — and would be whether or not it had anything to do with the death of one of the great figures in American jazz.