Eddie Palmieri - Listen Here! (2005)
Front Cover Album Info
Artist/Composer Eddie Palmieri
Title Listen Here!
Length 62:35 Discs: 1 Tracks: 10
Format CD-R (copy) Packaging Jewel Case
Label Concord Cat. Number N/A
Style Latin Jazz Rating N/A
Recorded styczeń 2005  at  Avatar Studio, NYC
Musicians Credits
Eddie Palmieri piano
Donald Harrison sax alto
Giovanni Hidalgo congas
John Benitez bass
Horacio "El Negro" Hernandez drums
Brian Lynch trumpet
Doug Beavers trombone
Producer Richard Seidel
Engineer Jon Fausty
Mastering Leon Zervos
Track list
01
In Flight 05:43
02
Listen Here 07:21
03
Vals Con Bata 05:17
04
Tema Para Eydie 04:27
05
Tin Tin Deo 06:23
06
In Walked Bud 06:02
07
La Gitana 07:17
08
Nica's Dream 05:55
09
Mira Flores 05:52
10
EP Blues 08:18
Notes
AMG Review by John Bush (3 1/2):
During his career, Eddie Palmieri hasn't seemed completely comfortable unless he's allowing others to challenge him. It was true at the beginning of his career when he revolutionized Latin music with his charanga, the La Perfecta ensemble; it was true during the mid-'60s when he recorded two respected dates with Cal Tjader; it was true during the '60s and '70s when he energized the Latin superstar band, the Fania All-Stars; and it was still true in early 2005 when he recorded Listen Here! Released on Concord Picante, it sees an array of excellent jazz instrumentalists sharing solo space with his regular group. First up is Regina Carter, not a natural fit for a Latin group by anyone's estimation, but still a master musician whose sprightly violin proves surprisingly sympathetic with Palmieri's tough salsa unit (and she hangs on easily when the band kicks in to a hardcore salsa halfway through). Tenor Michael Brecker and bassist Christian McBride also prove up to the task on the title track, a salsa re-imagination of Eddie Harris' near-standard "Listen Here." Elsewhere, Palmieri gets several chances to extend his arranging chops, by translating a trio of real standards — "Tin Tin Deo," "In Walked Bud," "Nica's Dream" — for his group.

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allaboutjazz By Robert R. Calder

Is Latin jazz some musicians' excuse for having fun? Eddie Palmieri's really a jazz-influenced Latin pianist, but he has lots of fun running and recording bands of top-line jazzmen. He's no conventionally accomplished contemporary jazz pianist, but all the better because he's unconventional, distinguished mostly by his very competent musical extrovert verve.

This outgoing date has only occasional quiet moments, like John Scofield's near-mandolin acoustic guitar in “La Gitana,” amid examples of the boss-man's bass- supported and very musical crash, bang, and extended flourish.

The guests are a very musical extravagance. Regina Carter delivers robust swing violin with the octet doing the little big band thing on Palmieri's “In Flight,” before the horns and bassist go for a beer with Carter and Mike Brecker comes in on R&B tenor for an Eddie Harris tune; Christian McBride replaces the bassist and solos substantially. David Sanchez's tenor comes in with John Scofield's electric guitar for another Palmieri tune, along with the full band. Then the bassist duets with Palmieri on another of the latter's tunes.

Back come all the horns for the Gil Fuller/Chano Pozo Dizzy Gillespie big band piece ”Tin Tin Deo,” Sanchez soloing, then Palmieri and the sparky Giovanni Hidalgo. Monk's “In Walked Bud” is next, en famille, with no guests, featuring a solo from everybody bar the bassist and Doug Beavers, who gets credit throughout for “additional arrangement and orchestration” wherever the band is bigger. The two trombones are the pivot of the larger group music. Monk's rhythms lose some subtlety in louder performance, but they Latinise well, and there's always ample swing.

Even Scofield's quieter bout in the trio interlude “La Gitana” doesn't calm things, Palmieri makes certain. Carter and trumpeter Nicholas Payton are the guest soloists on Horace Silver's “Nica's Dream,” third in a dream trilogy. “Mira Flores” is yet another good Palmieri number, with Christian McBride guesting brilliantly on bass, compensating for Mike Brecker's lapse into a current pop tenor saxophone sound.

”EP Blues” is a final Palmieri composition for the time being, carrying things to a close, Benitez back with a vengeance and Payton acting as guest soloist. Why is Ivan Renta, sometime saxophonist in the Lincoln Center Jazz Orchestra, thanked for “additional alto saxophone”? Are his performances all unlisted? Did the excellent Donald Harrison need help, or a did a tape of him need patching? Conrad Herwig storms in solo, followed by Brian Lynch, Donald Harrison better than ever and Payton building to the climax, which is of course Palmieri's. Hidalgo takes things out. His business is what it’s all about, considering the drummer on this date is no less than Horacio “El Negro” Hernandez.

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Also: Michael Brecker, Christian McBride, John Scofield, David Sanchez, Nicholas Payton, Regina Carter